Dr Teresa Ludden
| Ulrike Draesner: This Porous Fabric: Selected Poems, translated by Iain Galbraith | 2024 |
|
Dr Teresa Ludden
| Embodied Relationality and Alterity in Verena Stefan's Fremdschlaefer | 2024 |
|
Dr Teresa Ludden
| Scientific Coloniality, Nubia and the Dynamics of Dispossession in Ingeborg Bachmann's Das Buch Franza | 2024 |
|
Dr Teresa Ludden
| Translating the Dead Other? The Politics of Minority Writing, Non-Identity and the Inoperative in Terézia Mora's Das Ungeheuer | 2023 |
|
Dr Teresa Ludden
| Plant Ontology, Non-Human Becoming and Acoustic Materiality in Oswald Egger's Herde der Rede | 2022 |
|
Dr Teresa Ludden
| Pluralized Selves and the Postmigrant Sublime: Isolde Charim's Ich und die Anderen (2018) and Wolfgang Fischer's STYX (2018) | 2021 |
|
Dr Teresa Ludden
| Towards a Decolonial Uncanny: Re-configuring the Ineffable in Anna Kim's 'Greenland' novel Anatomie einer Nacht (2012) | 2021 |
|
Dr Teresa Ludden
| Introduction: On Creativity and Not-Knowing in Trauma Narratives and Theories | 2019 |
|
Dr Teresa Ludden
| Introduction: On creativity and not-knowing in trauma narratives and theories | 2019 |
|
Dr Teresa Ludden
| Mobilisations of Mediation and Aporias: Reading Trauma as Metaphor in Ulrike Draesner's Sieben Spruenge vom Rand der Welt with Caruth, Derrida and Agamben | 2019 |
|
Dr Teresa Ludden
| Deviant Bodies and Eating Disorders in Ulrike Draesner’s Mitgift and Karen Duve’s Dies ist kein Liebeslied | 2017 |
|
Dr Teresa Ludden
| Distorted Antigones: Dialectics and Prostitution in Lola and Shirins Hochzeit | 2017 |
|
Dr Teresa Ludden
| 'Even the word "und" has to be re-invented somehow': Quoting the language of the perpetrators in texts by Anne Duden | 2014 |
|
Dr Teresa Ludden
| Hearing the Silences in Thomas Bernhard's Ja: Difference, Narrative and Lyotard's Concept of the Differend | 2010 |
|
Dr Teresa Ludden
| Kisten, Krypten, Labyrinthe: Raumfigurationen in der Gegenwartsliteratur. W. G. Sebald, Anne Duden, Herta Müller | 2010 |
|
Dr Teresa Ludden
| "Getting back to the umbilical cord": Psychoanalysis, feminism and The Tin Drum | 2008 |
|
Dr Teresa Ludden
| Female Allegory and the Critique of German History in Helma Sanders-Brahms's Deutschland Bleiche Mutter | 2007 |
|
Dr Teresa Ludden
| Birth and the Mother in Materialist Feminist Philosophy and Contemporary German Texts | 2006 |
|
Dr Teresa Ludden
| 'Das Undarstellbare darstellen' : Kulturkritik and the Representation of Difference in the works of Anne Duden | 2006 |
|
Dr Teresa Ludden
| History, memory and montage in Anne Duden's Das Judasschaf | 2006 |
|
Dr Teresa Ludden
| History, memory and Montage in Anne Duden's Das 'Judasschaf' | 2006 |
|
Dr Teresa Ludden
| Nature, Bodies and Breakdown in Anne Duden's 'Das Landhaus' and Karen Duve's Regenroman | 2006 |
|
Dr Teresa Ludden
| Die Revolte der Schlange: Differenz/Differánce bei Anne Duden | 2005 |
|
Dr Teresa Ludden
| Allegories of Cultural Relations: Anne Duden’s Reading of Representations of St. George and the Dragon in Der Wunde Punkt im Alphabet | 2004 |
|
Dr Teresa Ludden
| Writing Differences: Bodies and Modes of Relationality in Works by Anne Duden | 2004 |
|
Dr Teresa Ludden
| Material Movements in texts by Anne Duden | 2003 |
|