Dr Richard Elliott
| Aging, Time, and Popular Music Special Issue Editorial | 2024 |
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Dr Richard Elliott
Dr Gareth Longstaff
| ‘Standing in Your Cardigan’: Evocative Objects, Ordinary Intensities, and Queer Sociality in the Swiftian Pop Song | 2023 |
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Dr Richard Elliott
| Leaving the Table: Intimations of Mortality in Leonard Cohen’s Late Work | 2023 |
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Dr Richard Elliott
| Aneka, "Japanese Boy" | 2022 |
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Dr Richard Elliott
| DJs do Guetto | 2022 |
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Dr Richard Elliott
| 'The Most Annoying Noise of All Time' | 2022 |
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Dr Richard Elliott
| The Reincarnation of an Egyptian Queen: Dystopian Lateness and Speculation in Nina Simone’s Afrofuturism | 2022 |
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Dr Richard Elliott
| Aging and Popular Music | 2020 |
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Dr Richard Elliott
| Brilliant disguises: Persona, autobiography and the magic of retrospection in Bruce Springsteen’s late career | 2019 |
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Dr Richard Elliott
| The Endless Circuits of Global Music (Review of Ronald Radano and Tejumola Olaniyan (eds), Audible Empire: Music, Global Politics, Critique (Duke University Press, 2016) | 2019 |
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Dr Richard Elliott
| Sounding Out Popular Music History: A Musicological Approach | 2018 |
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Dr Richard Elliott
| The Sound of Nonsense | 2018 |
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Dr Richard Elliott
| Species of Sonic Spaces | 2017 |
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Dr Richard Elliott
| “My Tongue Gets t-t-t-”: Words, Sense and Vocal Presence in Van Morrison’s It’s Too Late to Stop Now | 2016 |
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Dr Richard Elliott
| “Words Take the Place of Meaning”: Sound, Sense and Politics in the Music of Robert Wyatt | 2016 |
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Dr Richard Elliott
| Guilbault, Jocelyne, and Roy Cape. 2014. Roy Cape: A Life on the Calypso and Soca Bandstand. Durham, NC: Duke University Press. ISBN 978-0-8223-5760-5 (hbk), 978-0-8223-5774-2 (pbk). 304 pp. | 2016 |
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Dr Richard Elliott
| Across the Evening Sky: The Late Voices of Sandy Denny, Judy Collins and Nina Simone | 2015 |
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Dr Richard Elliott
| The Late Voice: Time, Age and Experience in Popular Music | 2015 |
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Dr Richard Elliott
| Words from the New World: Adventure and Memory in Patti Smith’s Late Voice | 2015 |
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Dr Richard Elliott
| “Time and Distance Are No Object”: Holiday Records, Representation and the Nostalgia Gap | 2014 |
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Dr Richard Elliott
| The Choreography of Longing: Songs, Screens and Space in Carlos Saura’s Fados | 2014 |
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Dr Richard Elliott
| You can't just say “words”: Literature and Nonsense in the Work of Robert Wyatt | 2014 |
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Dr Richard Elliott
| Nina Simone | 2013 |
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Dr Richard Elliott
| 33 1/3: Johnny Cash's American Recordings by Tony Tost [Continuum Books; 2011] | 2011 |
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Dr Richard Elliott
| Public consciousness, political conscience, and memory in Latin American nueva canción | 2011 |
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Dr Richard Elliott
| Country: A Regional Exploration | 2010 |
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Dr Richard Elliott
| Fado and the Place of Longing: Loss, Memory and the City | 2010 |
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Dr Richard Elliott
| Linthead Stomp: The Creation of Country Music in the Piedmont South (Book review) | 2010 |
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Dr Richard Elliott
| The Selling Sound: The Rise of the Country Music Industry | 2010 |
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Dr Richard Elliott
| The Same Distant Places: Bob Dylan's Poetics of Place and Displacement | 2009 |
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Dr Richard Elliott
| PHD Thesis: Loss, Memory and Nostalgia in Popular Song: Thematic Aspects and Theoretical Approaches | 2008 |
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Dr Richard Elliott
| Popular Music and/as Event: Subjectivity, Love and Fidelity in the Aftermath of Rock ’n’ Roll | 2008 |
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Dr Richard Elliott
| True to the roots: Americana music revealed | 2008 |
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Dr Richard Elliott
| Words and Music of Bruce Springsteen | 2008 |
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Dr Richard Elliott
| Reconstructing the event: Spectres of terror in Chilean performance | 2006 |
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