Browse by author
Lookup NU author(s): Dr Sally Jane Norman
Full text for this publication is not currently held within this repository. Alternative links are provided below where available.
The theatre is presented as a place for inventing and projecting models of the living world and living beings, whose evolution and mutations naturally entrain transformations of theatre. Strategies of individuation, including alienation through virtuoso or exceptional behaviours and acts, are discussed, as are the various “registers of presence” they build in the world of live art. Computerised interfaces and the extended organology they offer are seen as a new resource for developing exceptional theatrical behaviours. Communications tools and environments which privilege collective and collaborative creation are likewise presented as having determinant effects on current and future live art forms.
Author(s): Norman SJ
Editor(s): Collins, G., Stiegler, B.
Publication type: Conference Proceedings (inc. Abstract)
Publication status: Published
Conference Name: La lutte pour l’organisation du sensible: comment repenser l’esthétique?
Year of Conference: 2004
Notes: Text written in French