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Lookup NU author(s): Dr Rob Mackay
This work is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0).
Networking the Flight of the Monarchs' is an audi-Networking the Flight of the Monarchs' is an audi- 'Networking the Flight of the Monarchs' is an audiovisual telematic performance. Soundscapes from monarch butterfly reserves in Canada, Mexico and the USA are live-streamed from open microphones installed by Rob Mackay in 2018 and 2019, and blended with improvised performances networked in real-time from California (David Blink - hand- pan/trumpet); Mexico (Rolando Rodriguez - poetry); Canada (Jessica Rodriguez - video); and the United Kingdom (Rob Mackay - flutes and computer). Inspired by Teresa Connors’ creative practice, “ecological performativity” enacts a non- anthropocentric model, characterised as the dance of agency between living and non-living systems, human and non-human actors, and the complexity within which they are entangled [1]. This model stems from the premise that artistic practice enables different perspectives of the world and becomes an apparatus for change, promoting what Welsby considers “a long overdue ontological shift in the way we exist in the world” [2]. In this performance, multiple spatialities and temporalities are layered together, creating connections between past, present, and future, as well as multiple webs between human and non-human participants, weaving together in a dance of agency [3]. The intended effect is a kind of ‘telephenomenology’, building a sense of connectedness, embodied knowing, and empathy. ovisual telematic performanc e. Soundscapes frommonarch butterfly reserves in Canada, Mexico andthe USA are live-streamed from open microphonesinstalled by Rob Mackay in 2018 and 2019, andblended with improvised performances networked inreal-time from California (David Blink - hand-pan/trumpet); Mexico (Rolando Rodriguez - poetry);Canada (Jessica Rodriguez - video); and the UnitedKingdom (Rob Mackay - flutes and computer).Inspired by Teresa Connors’ creative practice,“ecological performativity” enacts a non-anthropocentric model, characterised as the danceof agency between living and non-living systems,human and non-human actors, and the complexitywithin which they are entangled [1]. This modelstems from the premise that artistic practice enablesdifferent perspectives of the world and becomes anapparatus for change, promoting what Welsby con-siders “a long overdue ontological shift in the waywe exist in the world” [2].In this performance, multiple spatialities and tem-poralities are layered together, creating connectionsbetween past, present, and future, as well as multi-ple webs between human and non-human partici-pants, weaving together in a dance of agency [3].The intended effect is a kind of ‘telephenomenolo-gy’, building a sense of connectedness, embodiedovisual telematic performanc e. Soundscapes frommonarch butterfly reserves in Canada, Mexico andthe USA are live-streamed from open microphonesinstalled by Rob Mackay in 2018 and 2019, andblended with improvised performances networked inreal-time from California (David Blink - hand-pan/trumpet); Mexico (Rolando Rodriguez - poetry);Canada (Jessica Rodriguez - video); and the UnitedKingdom (Rob Mackay - flutes and computer).Inspired by Teresa Connors’ creative practice,“ecological performativity” enacts a non-anthropocentric model, characterised as the danceof agency between living and non-living systems,human and non-human actors, and the complexitywithin which they are entangled [1]. This modelstems from the premise that artistic practice enablesdifferent perspectives of the world and becomes anapparatus for change, promoting what Welsby con-siders “a long overdue ontological shift in the waywe exist in the world” [2].In this performance, multiple spatialities and tem-poralities are layered together, creating connectionsbetween past, present, and future, as well as multi-ple webs between human and non-human partici-pants, weaving together in a dance of agency [3].The intended effect is a kind of ‘telephenomenolo-gy’, building a sense of connectedness, embodied
Author(s): Mackay R, Soundcamp S, Rodriguez J, Jaramillo-López P, Rodriguez R, Blink D
Editor(s): Torre, G
Publication type: Conference Proceedings (inc. Abstract)
Publication status: Published
Conference Name: International Computer Music Conference 2022
Year of Conference: 2022
Pages: 182-189
Online publication date: 03/07/2022
Acceptance date: 06/04/2022
Date deposited: 01/12/2023
Publisher: International Computer Music Association, Inc.
URL: https://www.fulcrum.org/epubs/8910jx22c?locale=en#page=194
Library holdings: Search Newcastle University Library for this item
ISBN: 9780971319264
