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Lookup NU author(s): Professor Graham SmithORCiD
This is the final published version of an article that has been published in its final definitive form by University of Wales Department of Theatre, Film and Television Studies, 2019.
For re-use rights please refer to the publisher's terms and conditions.
Many of the interviewees for the oral history project ‘100 Families’, carried out in Britain in the 1980s, described reading as part of family life. This archive supports Janice Radway’s findingsin Reading the Romance (first published in 1984) that women read for escape and as a form of resistance to domestic roles, but it also shows that such findings may be applied more broadly than romance to other kinds of readers and reading material, from the novel-reading wife and the newspaper-reading father to the Joyce-scholar husband. Whereas Radway approached romance-reading women, this article develops a new kind of methodological approach with its reuse of an oral history archive, incorporating both female and male readers, and their children, spouses, and siblings.The reuse of interviews for different purposes than originally intended can avoid the imposition of disciplinary categories on data from the outset. In this case the ‘100 Families’ sample allows us to step back from any particular literary genre or reader, to draw comparisons between how different family members engage with different kinds of texts. The article questions the dichotomy between women’s and men’s reading activities, considering how the interviews describe the non-fiction reading father/husband as a solitary, absorbed figure, who in carving out time away from domestic life is comparable to the romance reader.
Author(s): Trower S, Murphy A, Smith G
Publication type: Article
Publication status: Published
Journal: Participations: Journal of Audience and Reception Studies
Year: 2019
Volume: 16
Issue: 1
Pages: 510-529; 554-581
Online publication date: 16/05/2019
Acceptance date: 07/04/2019
Date deposited: 16/05/2019
ISSN (electronic): 1749-8716
Publisher: University of Wales Department of Theatre, Film and Television Studies
URL: http://www.participations.org/Volume%2016/Issue%201/26.pdf