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Lookup NU author(s): Professor Matthew GrenbyORCiD
The French Revolution had a profound effect on almost all aspects of British culture. French events and ideas were avidly discussed and disputed in Britain. Long-standing British political and cultural debates were given new life; new socio-political ideologies rapidly emerged. The sense of political, religious and cultural crisis that developed in the 1790s was only slowly to dissipate. Generations afterwards, many British thinkers and writers were still considering and renegotiating their responses. The effect of the Revolution Crisis on British literature was particularly marked, something that was widely recognised at the time and has been the focus of much scholarship since. It has become something of a cliché that British literary Romanticism was born out of the Revolution. The last few decades have produced new waves of powerful criticism which has re-examined the relationship between the Revolution Crisis and the works it shaped. Different strands of radical writing have now received detailed investigation, as have equally complex conservative responses. Writing by and for women is now receiving as much attention as writing by men, and previously neglected forms, such as the popular novel, pamphlets and children's literature, are now the subject of an increasing number of studies. The writing of the 1790s and early 1800s has in fact provided many scholars with their test-case for exploring the very nature of the relationship between text and context. It is this profusion of recent, sophisticated and rapidly evolving scholarship which this article surveys.
Author(s): Grenby MO
Publication type: Article
Publication status: Published
Journal: Literature Compass
Year: 2006
Volume: 3
Issue: 6
Pages: 1351-1385
ISSN (print): 1741-4113
Publisher: Wiley-Blackwell Publishing Ltd.
URL: http://dx.doi.org/10.1111/j.1741-4113.2006.00387.x
DOI: 10.1111/j.1741-4113.2006.00387.x
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